These therapeutically appalling images are, he claims, an allegorical attack on the rape of Serbian artists’ minds by the ‘cinematic fascists of political correctness.’ But as ex-porn star Milos (Srdjan Todorovic) is cajoled, drugged and beaten into ever more depraved acts by sleazy ‘art porn’ producer Vukmir (Sergej Trifunovic), this critique is lost amid a sordid welter of sexual sadism, incestuous necrophilia and ‘snuff movie’ nihilism. Despite the BBFC’s 49 cuts, which removed a record four minutes and 12 seconds of footage, the essence of director Srdan Spasojevic’s reductive ‘vision’ remains. A newborn baby, fresh from its mother’s womb, is raped a woman’s head is cut off by a machete-wielding man as he fucks her brutally from behind a man is raped to death using his empty eye socket.
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